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Ikai Asai An aspiration for living well
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This October, a desert remembers what it almost forgot. Artist and folklorist Madan Meena has spent fourteen years traci...
03/10/2026

This October, a desert remembers what it almost forgot. Artist and folklorist Madan Meena has spent fourteen years tracing the threads of Marwar’s block-printing tradition — cracked wooden blocks left behind in village back rooms, patterns no one had carved in a hundred years — back to the hands that first made them. What emerged is an archive of over 600 lost designs, more than 400 of them brought back to life, pulled from research across Rajasthan, Gujarat, Madhya Pradesh and Sindh. The research will be on view as the Prints of Marwar exhibition at Kaner Retreat, from 29th to 31st October — staged inside the very desert commons that grew these motifs, and returned, at last, to the artisans, elders and printing communities it was always meant for. Click the link in bio to read the full piece.

Photography by Madan Meena malini saigal and Waseem
Words by Samara Fernandes

[ Prints of Marwar, Madan Meena, Marwar Block Printing, Rajasthan Textiles, Indian Craft, Textile Heritage, Traditional Block Printing, Craft Preservation, Folk Art, Kaner Retreat ]

02/10/2026

Approximately 7,500 kilometres away from India, a building stands tall in South Africa’s Johannesburg, coloured with an Indian legacy. Known as , this seven-room boutique hotel and museum was once home to Mahatma Gandhi between 1907 and 1909, where he began formulating the idea of satyagraha. Originally built by his close friend and architect Hermann Kallenbach, the property today serves as a living archive of history, heritage and culture. From khadi curtains and simple wooden furniture to thoughtfully preserved interiors, every corner reflects the values Gandhi championed and recalls a chapter that shaped both Indian and South African history. Click the link in bio to read more.

Photographs courtesy
Words by

[ Satyagraha House, Mahatma Gandhi, Hermann Kallenbach, Johannesburg, South Africa, satyagraha, heritage hotel, museum, khadi, Kraal architecture, Voyageurs du Monde, living archive ]

Silverstone has a new landmark, and it’s redefining what race weekend hospitality looks like. Meet The Vale, the newest ...
01/10/2026

Silverstone has a new landmark, and it’s redefining what race weekend hospitality looks like. Meet The Vale, the newest addition to the British Grand Prix, designed and built from the ground up by Flux Nexus | Design House. Founder and creative director Tanuj Aladushka Kohli swapped the studio’s usual slow materials — masonry, ceramics, heavyweight timber — for an exposed aluminium frame, turning an impossible deadline into the building’s defining feature. Click on the link in bio to read the full piece.

Photography by Bastien Montbrun, Motz Workman and Callum Chaplin
Words by Samara Fernandes

[ Silverstone Circuit, British Grand Prix, The Vale, Flux Nexus, Race Weekend Hospitality, Experiential Architecture, Contemporary Design, Aluminium Architecture, Motorsport Design, Design Innovation ]

Ceramist Tosha Jagad believes everyone needs a good cry once in a while, and she has a clay figure mid ugly cry to prove...
29/09/2026

Ceramist Tosha Jagad believes everyone needs a good cry once in a while, and she has a clay figure mid ugly cry to prove it. It sits among an army of Nerikomi block cats and bobbing heads in her sunlit Tosha Jagad, tucked inside an old world chawl in Mumbai’s Sewri, where fellow artists make every day feel like a picnic for adults. Tosha Jagad likes to work with clay because of its tactility and the freedom to work in three dimensions, and she lets each piece choose its own making, slab-built, wheel-thrown or a mix of both. What she never does is rush. Every piece dries slowly, in its own time, until it’s ready to join the cast. Click on the link in bio to read the full story.

Photographs courtesy Tosha Jagad
Words by Pragnya Rao

[ Tosha Jagad, Studio Tosh, ceramics, ceramist, Nerikomi, block cats, bobbing heads, clay sculpture, handbuilt ceramics, wheel throwing, Sewri, Mumbai artist studio, Indian contemporary ceramics ]

A family trade, a return to the loom and an extension of an existing business that keeps the artisans at the very centre...
28/09/2026

A family trade, a return to the loom and an extension of an existing business that keeps the artisans at the very centre of the craft while honouring Varanasi’s rich textile and brass heritage. Meet Udit Khanna, Aditi and Ujjwal Khanna, the fourth generation behind , the Varanasi craft house that’s giving silk and brass new vocabularies of expression. Be it silk meeting cashmere within a single Banarasi weave, jamdani reconsidered through the geometric cut-paper language of Mathura’s sanjhi craft or brass acquiring the movement and softness of fabric, tilfi is protecting now what Banarasi craft should look like but the intelligence embedded in how it’s made. Click on the link in bio to read more.

Photographs courtesy Tilfi | तिल्फ़ी | tilfi.com
Words by Alisha Lad

[ Banarasi textiles, Indian craftsmanship, Varanasi craft, Tilfi, handloom weaving, Indian artisans, textile heritage, Banarasi silk, traditional crafts, contemporary craft ]

Over three decades ago, artist Shama Pawar arrived in Anegundi, a village near Hampi from Pune, drawn by its history, an...
27/09/2026

Over three decades ago, artist Shama Pawar arrived in Anegundi, a village near Hampi from Pune, drawn by its history, and found a community whose crafts were quietly slipping away. So she stayed. Through the The Kishkinda Trust, and now as Convenor of INTACH’s Anegundi–Hampi chapter, Shama works with artisans, farmers and women to give their inherited skills a place in today’s world. The result is a rare craft ecosystem where the community isn’t just preserving its heritage, but owning it. Click on the link in bio to read the full story.

Photographs courtesy Shama Pawar
Words by Pragnya Rao

[ Indian craft, Indian heritage, Hampi, Anegundi, traditional crafts, artisan stories, craft revival, cultural preservation, handmade in India, sustainable craft ]

Two sisters. One childhood game. A design label built on the radical idea that things should take their time. Meet Ayesh...
26/09/2026

Two sisters. One childhood game. A design label built on the radical idea that things should take their time.
Meet Ayesha Mangaldas and Amaya Mangaldas, the founders behind House House, a name borrowed straight from “ghar ghar,” the pretend-house game they played as kids. These days, instead of couch cushions and steel thalis, they dabble in looms, teak wood, and centuries-old craft techniques from across India.
No warehouse drops. No rushed carts. Just one handmade piece, released every two weeks, made to be kept — not replaced. Click on the link in bio to discover the thoughtful world of House House.

Photography by Manan Sheth Amaya Mangaldas Ayush Vaswani Maheswari Badal
Words by Samara Fernandes

[ House House, Indian design, slow design, Indian craft, contemporary craft, handmade in India, sustainable design, craftsmanship, Indian textiles, conscious living ]

Silver has had a good run. This season, RIMOWA decides two colours are better than one — orange for anyone chasing golde...
25/09/2026

Silver has had a good run. This season, RIMOWA decides two colours are better than one — orange for anyone chasing golden hour on the tarmac, magenta for anyone who’d rather make an entrance than blend into one. Rolled out across the Essential suitcase range and Groove leather goods collection, the new shades are a bold change from their usually restrained aesthetic. Fronted by Spanish actress rossydpalma Rossy de Palma, the campaign embraces colour, character and a sense of playful individuality—proving that luggage can also be expressive. Click on the link in bio to read the full piece.

Photographs courtesy RIMOWA
Words by Samara Fernandes

[ Rimowa, luxury luggage, travel design, colour trends, statement accessories, contemporary travel, orange luggage, magenta luggage, Groove collection, travel style ]

Address

Level 17, Birla Aurora, Drive Annie Besant Road, Century Bazar, Worli
Mumbai
400030

Opening Hours

Monday 9am - 5pm
Tuesday 9am - 5pm
Wednesday 9am - 5pm
Thursday 9am - 5pm
Friday 9am - 5pm

Telephone

+918693862041

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