I have been making jewellery, in one form or another, for as long as I can remember. As a child I made and presented my poor mother with jewellery made from bread, papier mache, dried flowers and dead insects in resin! I had always enjoyed “Pottery” at school and continued to work with clays, at evening classes and, after buying my first kiln, at my home studio. I fell in love with Porcelain; the
fineness, delicacy and strength of the material. Somewhere along the line, I took a course in Silversmithing and learned some very useful techniques. I have to admit that I never really enjoy working with Sterling Silver, as I found the process rather ‘dirty’ and also had adverse skin reactions to it. A need to create jewellery for a competition doll, just as Silver clay arrived in the UK, led to my first experiments with it. Although China painting techniques can replicate jewellery very well, it was fun to mould real Silver clay around the finger of a doll and have a solid Silver ring, after a little more time the kiln! It took a while for me to get around to using it for human jewellery! Once I had, I was smitten. Here was a material that I could work as a clay (with which I was familiar) and proceed onto metalsmithing techniques after it’s time, sintering, in the kiln. I also found that I could wear the jewellery, without any of the adverse reactions I’d experienced with Sterling.