CG68

CG68 Trung Tâm Đồ Hoạ Kiến Trúc CG68. Showroom gạch ốp lát Viet Home.

Địa chỉ: 154 Yên Lãng, Đống Đa, Hà Nội. Hotline: 0965766651.

Với tiêu chí luôn đặt chất lượng học sinh lên hàng đầu và kinh nghiệm 5 năm phát triển trên lĩnh vực Đồ họa Kiến Trúc, Trung tâm CG68 chúng tôi tin sẽ làm các bạn hài lòng. Sản phẩm của học sinh chính là thước đo cho chất lượng của chúng tôi!

6 PHƯƠNG PHÁP GIẢNG DẠY LÀ CHỈ CÓ Ở CG68
1/ Lấy học viên làm trung tâm, quản lý chặt chẽ tình hình học tập của từng học viên.
2/ Thực hành trực tiếp

trên máy tính tại CG68 để củng cố lý thuyết và đẩy nhanh tối đa tốc độ xây dựng bản vẽ.
3/ Giáo trình khoa học được xây dựng bài bản, kết hợp giáo trình về đồ họa với giáo trình về cấu tạo kiến trúc, các loại vật liệu và nguyên lý sáng tác Kiến trúc 1 cách sinh động, trực quan, dễ hiểu mà không khô khan nhàm chán như các lối học cổ điển..
4/ Củng cố nền tảng cho học viên trong ngành Kiến Trúc: Kinh Nghiệm thực tế, tác phong làm việc, Quy cách thể hiện bản vẽ Kiến trúc từ phương án tới bản vẽ thi công.
5/ Giải đáp ngẫu hứng tất cả các câu hỏi của học viên về ngành học KIẾN TRÚC .
6/ Gợi mở tính sáng tạo, khả năng học viên. Thúc đẩy tương tác giữa học viên - giảng viên - học viên .Luôn tích cực tổ chức các hoạt động ngoại khóa (du lịch,liên hoan..) để chúng tôi và các bạn gần nhau hơn không còn khoảng cách giữa thầy và trò, mà là người anh em như trong một gia đình!

(Mỗi tuần 1 lần, vào thứ 7 - Pinterest Source)    The Kettle Black Cafe.        Điểm nhấn với phong cách tối giản từ màu...
16/10/2021

(Mỗi tuần 1 lần, vào thứ 7 - Pinterest Source)

The Kettle Black Cafe.

Điểm nhấn với phong cách tối giản từ màu sắc cho đến nội thất lựa chọn, quán là sự pha trộn giữa một chút cổ điển và một chút hiện đại.

Thiết kế bởi: Design Milk.
Địa điểm: Melbourne, Australia.

Ngôn ngữ tiếng anh sẽ được giữ nguyên. Bí quá thì Google Tran sờ lết nha 😺❤️
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Not just a cafe yet not quite a restaurant, the Kettle Black Cafe in Melbourne is a minimalist spot tucked away in the last heritage terrace on Albert Road. Set right next to a skyscraper, the welcoming cafe is the perfect blend of classic and modern touches.

the interior has a neutral palette of soft oak, hexagonal marble tiles, and brass finishes.

Matte black steel accessories provide a sharp contrast to the light interior, while green accents add a light, playful touch.

Small details, like brass hooks set against warm, organic linens, elevate everyday moments.

The Partridge Bar Stool by DesignByThem fits in perfectly with the whitewashed wood.

The Tuck Stools provide ample indoor/outdoor seating.

Cảm ơn các bạn!

(Mỗi tuần 1 lần, vào thứ 7 - Pinterest Source)    Cải tạo căn hộ ở Barao a Brazil        Căn hộ với 1 tầng duy nhất, thô...
09/10/2021

(Mỗi tuần 1 lần, vào thứ 7 - Pinterest Source)

Cải tạo căn hộ ở Barao a Brazil

Căn hộ với 1 tầng duy nhất, thông toàn bộ các không gian và kết nối xuyên suốt với các chất liệu xi măng, gỗ decor, gạch trang trí và các đồ nội thất hiện đại với mong muốn tạo một nơi sống đơn giản, gần gũi, dễ chịu.

Thiết kế bởi: Vasco Lopes Arquitetura
Diện tích: 250 m²
Địa điểm: BARAO GERALDO, BRAZIL

Ngôn ngữ tiếng anh sẽ được giữ nguyên. Bí quá thì Google Tran sờ lết nha 😺❤️
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Renovation of a one floor house implanted on a square flat terrain in an urban lot. The main intervention was to integrate the social area with an open kitchen, a dining room and a living room, all in sequence.

Wooden frames with large glass panels allow the integration with the external garden with minimum visual interference. A wall made by hollow concrete elements and the decorative floor titles displays triangular and diagonal forms. The reference to raw materials, with the use of concrete, rustic wood, and apparent pipes and beams create a simple and comfortable atmosphere.

The concrete slabs that composes the flaps of the house protect its frames and provide shade for the interior areas. In another block are situated the office and a porch with barbecue pit, constituting the external ambiance that faces the swimming pool area, located four steps bellow.

Cảm ơn các bạn!

(Mỗi tuần 1 lần, vào thứ 7 - Pinterest Source)    Căn hộ hiện đại ở Ukraine.    Lấy cảm hứng từ những viên gạch xây, phố...
02/10/2021

(Mỗi tuần 1 lần, vào thứ 7 - Pinterest Source)

Căn hộ hiện đại ở Ukraine.

Lấy cảm hứng từ những viên gạch xây, phối kết hợp với gạch kính thuỷ tinh và các đồ nội thất hiện đại hé lộ sự cũ kỹ ngày xưa của ngôi nhà nhưng mang dáng dấp hiện đại của phong cách tối giản.

Thiết kế bởi: Anna Pufik (Nhà thiết kế nội thất)
Địa điểm: Kyiv, Ukraine

Ngôn ngữ tiếng anh sẽ được giữ nguyên. Bí quá thì Google Tran sờ lết nha 😺❤️
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The interiors of this small apartment in old building in Kyiv, Ukraine, was inspired by the design of 9 Hotel Central Hotel in Brussels, which the owners fell in love with.

The main concept of its design – fragments of the original brick walls, combined with modern finishes and furniture.

It was this technique that was used in the design of the apartment – the old brickwork hints about the solid age of the house, while the stylish minimalist design takes us back to the 21st century.

Great project!

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(Mỗi tuần 1 lần, vào thứ 7 - Pinterest Source)    Biệt thự trên đồi - Hilltop Los Angeles với phong cách Moroccan    Cải...
25/09/2021

(Mỗi tuần 1 lần, vào thứ 7 - Pinterest Source)

Biệt thự trên đồi - Hilltop Los Angeles với phong cách Moroccan

Cải tạo lại và thay đổi hoàn toàn khu biệt thự cũ kỹ thành một khu thiên đường đầy màu sắc.

Thiết kế bởi: Studio KO - Richard Christiansen

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Seventy-five brick stairs, gliding down the hill from Flamingo Estate, descend to the terraced gardens. “The house is this big pink thing, and I thought, What’s pink and proud? It’s standing up there like a flamingo,” says the homeowner, Chandelier Creative founder Richard Christiansen.

The concrete entryway was a cinema with stadium seating when the house was an adult-film studio, and, inspired by a photo of a concrete tower in Morocco, Studio KO cofounder Karl Fournier suggested creating a floating concrete staircase leading into the colorful world upstairs for a grotto effect. “He said, ‘This place is like heaven surrounded by a garden,’” says Christiansen, and they riffed off that.

Decades ago, a radio station operated in the TV room, which is now a tribute to the previous owner’s red silk bathrobe and leopard-print G-string. “We went to the gift shop of Jardin Majorelle in Morocco and bought suitcases of the blue paint they sell,” says Christiansen. A Jane Fonda print on the wall, bought at auction, is there because both Christiansen and Studio KO are obsessed with the iconic actress.

The former “main performance room,” laughs Christiansen, is now the bedroom he shares with his partner. Studio KO built the bed, surrounded by 13 original David Hockney drawings of L.A. boys from the ‘80s when the artist moved to the city. “So appropriate for the house!” says Christiansen. The lion was found at auction, originally meant for the garden, and sits with a sculptural Parisian chair.

“Karl and Olivier obsessed over finding the perfect purple marble,” says Christiansen of his countertop and shower in the master bathroom, which opens to the outside and lets in plenty of natural light.

A floral sofa by Belgian designer Jean-Philippe Demeyer sits in the living room with leather Brazilian chairs, a Gabriella Crespi coffee table, and a carved wooden elephant chair from Ibiza. “It was just sitting there in a hotel restaurant and we were like, ‘Can we buy it?’” says Christiansen, looking back. David Hockney’s Caribbean Tea Time screen—like complementary Ken Done works in other spaces—adds even more vibrancy to the cheerful, tropical space with an original fireplace at the center.

A wooden frieze wrapping the living room was commissioned in Morocco especially for Christiansen, who has a video of an old man outside Marrakech, Morocco, hand-carving the piece while looking at his dogs’ Instagram to get their likeness (alongside his bees and garden). The striped wall panels were inspired by Yves Saint Laurent’s Villa Oasis in Marrakech.

When Christiansen bought the home, what’s now the retro-leaning kitchen was a room for filming and even had a swing in it. Its chunky new terrazzo floor was inspired by a hotel in Rome he had taken a photo of years ago. Studio KO found an old Italian man in the San Fernando Valley who was able to exactly replicate it.

The exterior of Christiansen’s office building—housing his antique papier-mâché desk from JP Demeyer—is clad in green tiles from Morocco. “When the sun hits it, you could fry an egg it’s so hot," he says. "But it also has this beautiful glow at sunset, these tiles reflect the light so beautifully.”

Christiansen’s office is one of the new structures on the property conceived and built by Studio KO, and holds a coffee table made from a piece of a tree struck by lightning on the grounds of Versailles. The sofa is the first thing he bought with Studio KO, at Wright auction house in Chicago.

“The best room of the house is the garden,” says Christiansen, who spent years before tackling his home on plant-buying trips and with his hands in the dirt creating a Mediterranean garden bursting with rosemary, lavender, agave, and even Moreton Bay figs, a native Australian tree cultivated by Jo O’Connell, whose nursery in Ventura, California, he calls the best in the country

Cảm ơn các bạn!

(Mỗi tuần 1 lần, vào thứ 7 - Pinterest Source)MAMA MANANA/ Điểm nhấn mới trong chuỗi nhà hàng Georgian    Với một sự chà...
18/09/2021

(Mỗi tuần 1 lần, vào thứ 7 - Pinterest Source)

MAMA MANANA/ Điểm nhấn mới trong chuỗi nhà hàng Georgian

Với một sự chào đón không thể nồng nhiệt hơn khi bước vào. Ý tưởng thật tuyệt vời khi sử dụng và phối hợp nội thất cùng các loại gạch theo tone cổ xưa

Địa điểm: Location: Prorizna, Kyiv, Ukraine
Architects: Natasha Kozak
Diện tích: 470m2

Ngôn ngữ tiếng anh sẽ được giữ nguyên. Bí quá thì Google Tran sờ lết nha 😺❤️
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Our space is a four-story building with a staircase connecting the levels. Upon our first visit to the site, we decided on a visual design concept of a gradient. This concept helped us to separate the space: to create areas different in their seating style and functional purpose.

GROUND AND FIRST FLOORS

When entering "Mama Manana", you find yourself on the first floor of the restaurant – a functionally dynamic space, equipped to seat a large number of people. The hard seating is intended for quick lunches, snacks, and business meetings.

Arched windows overlooking the facade of Prorizna Street became the floor’s focal architectural element. We preserved their original form and painted in fresh green in the color of the walls. The rest of the materials and shades were selected according to our gradient concept.

Another focal element of this floor is the textured brick walls. Through the play of light and shadow, they create a unique perceptual experience. Some of the brick we used for the flooring, to evoke the feel of a yard or a garden.

Also, located on the first floor an open kitchen, allows all guests to experience the process of cooking of Georgian dishes and to immediately enjoy their flavorful aroma. The kitchen area is lined with C.I.Form concrete blocks that contribute to the textural quality of the first floor. Illuminated from the inside, they fill the space with soft warm light.

Stairs of the black clinker tile lead to the basement where the restroom is located. With a predominantly dark color scheme, the clay washbasin — handmade made by local craftsmen — provides an accentual contrast.
BANQUET ROOM

Upon ascending a flight of stairs, we enter into a separated, closed-off area. Called the "banquet room”, this space creates a cozy atmosphere for a private feast. Its color scheme differs from the general concept. Metal arches and Georgian ornaments on the walls and ceiling create a unique banquet atmosphere. We designed the ornament based on Georgian motifs, adapting it to the particularities of the space. Armed with only their hands and rulers, the craftsmen spent several weeks putting up this unique ornamentation.

The room ends in a light screen of flax in the shape of an arch, completing the vaulted composition. To close off the area, you need only to shut the heavy velvet curtains; their rich blue color plays to the festive quality of the room. A small dressing room for the guests and an employee-only elevator for serving food is located behind the curtain.

SECOND FLOOR

As per our gradient concept, we decided to continue some stylistic choices from the first floor to the second. For one, the flooring of the second floor mirrors the ceiling of the first. On this level we chose warmer colors and tactile materials to evoke the comfortable atmosphere of Mama Manana’s living room.

Along with the window is a soft seating area, which welcomes you to relax and stay awhile. In the middle of the room, we placed a large table and wooden chairs for a cozy family meal by the fireplace. The setting is complemented by a wooden shelf with an extraordinary collection of Georgian wines.

The key feature of this floor is our unique deep-green tiled construction with rounded corners. Inside we placed restrooms on one side and bar facilities on the other. It is lined with eight types of tiles, which vary in size and ornament, made uniquely for us by local craftsmen from Detiles Mosaics.

Against the green-tiled construction brightly stands our copper bar. It perfectly matches the lamps over the communal table, made of the same material.

The stairwell to the third floor is framed by a metal structure of pipes that resemble vines. Continuing to draw inspiration from our gradient concept, the light-colored walls flow into a wooden ceiling made of 50-year-old oak. This oak forms the flooring of the third floor.

THIRD FLOOR

The third floor is the highest level and thus the brightest of all the floors. We chose a glass sliding partition rather than a wall to separate the room and the terrace. This increases the floor space and allows for a lot of daylight to enter. In the summertime, this floor transforms into a unified open space.

The seating on this floor is a lounge zone with cozy armchairs and sofas. We decided to create two levels of seating on the terrace, which gives the guests sitting near the fencing a wonderful view of the street and the city.

The room is separated from the staircase by a decorative screen made of a material that emulates black fur. It resembles the traditional clothing of a Georgian shepherd. The material was produced from h**p stalks by Ukrainian manufacturer DevoHome.

The walls and ceilings of the restroom are decorated with a print: a herd of sheep grazing on the rocky hills of Georgia.

The main element of the space is stylized candles produced by Vasyl Hrublyak. They seem to float in the air, creating a cozy romantic atmosphere, which is further enhanced by a semicircular fireplace.

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(Mỗi tuần 1 lần, vào thứ 7 - Pinterest Source)LAIA HOUSE/Nhà của Laia.    Sự vận dụng linh hoạt và khả năng kết hợp các ...
11/09/2021

(Mỗi tuần 1 lần, vào thứ 7 - Pinterest Source)

LAIA HOUSE/Nhà của Laia.

Sự vận dụng linh hoạt và khả năng kết hợp các loại nguyên vật liệu, hình khối, màu sắc, góc độ ánh sáng vào các phần khác nhau của không gian ngôi nhà, thiết lập sự kết nối giữa các phân khu tạo nên tính uyển chuyển, đồng điệu, hài hoà xuyên suốt.

Ý tưởng thật tuyệt vời về gạch xây kết hợp dựng ốp dọc nhấn tạo bức vách giữa 2 ranh giới nhưng vẫn hài hoà với phần sàn lục giác đồng màu và không gian gạch gỗ.

Địa điểm: BARCELONA, SPAIN� Architects: CAVAA Arquitectes� Diện tích: 48 m²

Ngôn ngữ tiếng anh sẽ được giữ nguyên. Bí quá thì Google Tran sờ lết nha 😺❤️
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This project was born from the idea of relating the spaces of this house through a common thread. It was created with the intention of formalizing a link that communicates the two ends of the apartment, materializing as a suspended ceiling that relates the existing and the new as a superposition.

With less than 50 meters of surface, the house was divided into small rooms with little ventilation and lighting.

These rooms were organized from a wide corridor that allowed to serve the different rooms.

In order to continue understanding the house as a sequence of spaces, or as a single space; the intervention minimized the division of partitions, enhancing furniture, pavements and sliding doors; the division between stays.

Material used to transmit this duality of the house: using the roof as a unitary element in the sequence of rooms, and the pavement as that which divides the spaces.

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(Mỗi tuần 1 lần, vào thứ 7 - Pinterest Source)Liva Riverside Book Bar Reconstruction of ECNULIBRARY, RENOVATION    Dự án...
04/09/2021

(Mỗi tuần 1 lần, vào thứ 7 - Pinterest Source)

Liva Riverside Book Bar Reconstruction of ECNU

LIBRARY, RENOVATION

Dự án tái thiết lập lại thư viện cũ, với các vật liệu gỗ, gạch đỏ, đá, gạch kính và các loại kính khổ to nhằm nới, mở rộng không gian thêm nhiều ánh sáng tự nhiên, thêm các khu riêng tư cũng như sinh hoạt chung, ngắm cảnh bên hồ nhằm tăng cường sự giao lưu giữa các thành viên cũng như với thế giới bên ngoài nhưng vẫn đảm bảo sự riêng tư, tĩnh lặng như đúng vai trò của một thư viện.

Thiết kế bởi: Lacime Architects - Zhaoqing Song

Địa chỉ:
- Liva Riverside, East China Normal University.
- Shanghai, China.

Ngôn ngữ tiếng anh sẽ được giữ nguyên. Bí quá thì Google Tran sờ lết nha 😺❤️
---------------------------------------------------� The renovation project locates along the riverside, the core of teaching buildings area and the centerline of the campus. The warehouse for building materials was in idle or abandoned. The structure of the Chong’er Pavilion nearby is well maintained, but the space is not opened and less active. Besides, landscape resources are barely utilized, thus the whole place is not functioning.

During renovation, the surrounding space has been combined. With the existing architectural structure being kept, new functions such as reading, displaying, tea drinking and relaxing are created to satisfy different needs from students, teachers, civilians and other groups. Through conversion of the space from transition to staying, the banks along the Li’wa River have been greatly upgraded.
� L2 is partially expanded and a glass house is added at the entrance, which enlarges the whole space. In terms of function planning, L1 broadens the river view when coffee, tea and snack are provided inside the open space. On the other side, partial mezzanine is added under the slope roof, creating a private space for thinking and reading.
� During the renovation of Chong’er Pavilion, the space is again broadened, by keeping the body as much as possible while demolishing the existing glass door and windows. Through fold-line treatment, the base is decorated and remade as a sculpture, symbolizing the boat of the glorious history of ECNU and an ever-illuminating water lantern floating on the river.
� Extracting and transforming the features of existing slope roof of the teaching faculty maintain the unity of overall space and create specialty and continuity of the fond memory for the original space by texture, size and details of new materials.

The grey zone at the entrance transfers single space to a space of planes. The glass house proportionately shrinks the existing gable and connects the existing building with steel structure by a virtual space. Hollow-out bricks make the building and surrounding environment harmonious and fun.
� For accessibility, the renovation concept is based on harmony of architecture and landscape. Through fold-line footpaths, the renovated study blends well with Chong’er Pavilion and cedar. Adding waterside platform, sun loungers and partial sunken square, the whole space is fully utilized. Right next to one side of the study, a public open space is added to break the dullness and create coziness. Fold-line paving is used in the walk path inside the building, making the space inconsistency

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(Mỗi tuần 1 lần, vào thứ 7 - Pinterest Source)The Beehive.    Tìm kiếm và tái sử dụng vật liệu dư thừa, bỏ đi cho các dự...
28/08/2021

(Mỗi tuần 1 lần, vào thứ 7 - Pinterest Source)

The Beehive.

Tìm kiếm và tái sử dụng vật liệu dư thừa, bỏ đi cho các dự án mới từ các dự án cũ.

Thiết kế bởi: Luigi Rosselli, Raffaello Rosselli

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Architecture is often reliant on expensive and scarce materials to define its value. The beehive explores how an undervalued waste product, like the ubiquitous terracotta roof tile can be redefined and revalued.

This exploration of waste as a material stems from the knowledge that construction creates up to 50 percent of Australia’s waste output; and that a buildings energy footprint is largely based on the materials embodied energy. Material reuse solves both these environmental impacts and is by far the most efficient form of building. Raffaello Rosselli collaborated with Luigi Rosselli architects to design their new office building. Through experimenting with waste material reuse on its own studio it aims to be a role model for future projects.

The project started with the study of material waste streams looking for an appropriate object for a brise-soleil to filter the harsh western sun that the main façade faces. The terracotta tile, an overlooked symbol of suburbia, was chosen as it is easily sourced and without an adequate reuse market. (While out of manufacture tiles are collected, newer tiles have no market value and find their way to landfill).

Putting aside the tiles commonality, the terracotta tile appealed in its raw elemental materiality, with no tile exactly alike, cast in clay and fired still by hand. Contextually, the terracotta also related to the raw brick materiality of the neighbouring masonry buildings.

Designing through making - 1:1 prototypes
The process of design was also unique for this building. In response to an object which was geometrically complex, the façade design was largely conceived through multiple full scale tests and hand built prototypes. This opened up an intuitive form of designing through making. The tactility of the process allowed rapid prototyping, including experimenting with multiple tile course types.

These prototypes informed the final design, where each tile course was placed based on its function. The acute course was used at the bottom due to its strength, as well to obscure the solid spandrels. Equilateral tiles were used at eyelevel to reduce visual obstructions. While diagonal tiles were used at the top due to their low clearance and were angled north. The variation of tiles also allowed us to hide the slab edges that reduced the structural load to single stories discreetly.

This design process allowed us to make of the use of the module to further tackle challenging elements of the design and resolve them physically. Such as the curved tile façade, which was crucial to give the façade proportion within its built context by linking its misaligned neighbouring buildings and stepping back from the paperbark tree in front of the site.

The projects primary gestures came through a consideration of its immediate context. The building’s form responds to the neighbouring setbacks and heights. As well as curving around the paperbark street tree (Melaleuca) which encroaches the site. The brise-soleil façade filters the harsh sun while at the same time maximising light through the small 8m wide frontage.

The façade retains the feeling of the two storey warehouse to the south, with the top level set back. The curved awning raises above the first floor to match its context and provides a generous interface with the street.

Internally the building houses, amongst other commercial spaces, a light-filtered architecture studio designed as an environment to stimulate creativity and teamwork: a ‘Beehive’ of architects. Challenging the generic and often alienating nature of open plan office buildings, the design sought to provide an active but intimate environment with multiple working positions offered by custom-built joinery, which was largely repurposed from the former studio, another component of the upcycling drive on this project. The main space does not have any walls, rather is defined by two linear rows of semi-enclosed booths with each architect provided with two desks, linked by a long linear standing bench which facilitates collaborative work.

On the top floor, a communal garden terrace offers a point of release to work in the sunshine, hold community events or relax after a long day. Below this level, the conference table is semi-enclosed by a terracotta tile bookshelf, another variation of a stacked terracotta module, brought into the interiors.

This was a conscious attempt to re-contextualise the value of reusing materials, advocating for more sustainable solutions and showing clients and the wider public that it is possible to reuse the waste products of the construction process, with all their intrinsic beauty from façade design to the displaying of books.

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